Surrounding Inbetweens

This was my final piece of work from term 1 at Falmouth:

It was a piece aiming to summarise the ideas about repeatedly going within a moment of inbetween and then within it again where the materials I used (wood branch slices) are involved with many circular representations of being surrounded and within a moment of nothing or in between.

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Lost in fluid surroundings

I surround myself with water collected from the ocean after filming my ‘Under nothing but ocean’ video about the ocean surrounding you and how due to the nature of the sea and its mass connection all over the world, you are effectively always lost as the same water particles of your surrounding will probably never come in contact with your existence ever again. As of this, I can conclude that this particular ‘after performance’ using water from the ocean does surround you in a similar way as the ocean does. I have taken the water particles from a bigger source (the sea) to present them as separate objects around me, the difference here however is that the ‘taken pieces from the lost in between’ were once all interconnected and were a genuine ‘piece’ from the forces of my ‘lost’ surroundings. The water particles are very difficult to obtain once released, therefor, it’s hard to ‘do’ anything with the water once it has been poured around me, unlike the solid objects from the other lost experiment I did where i could manipulate and position them as I pleased. This formulates  questions about timelessness and supports the idea of the momentary feeling of being lost that can’t be reclaimed, you can only feel it again if you get lost in another different new place and in this case it would be to collect a new selection of water.

Alone, lost ocean photos

I photographer a friend whilst swimming to try to capture the essence of the aloneness and lost reality of the sea but with the addition of a the conscious human experiencing it.

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I have found that the flecks of cold white skin and absence of the face share a vulnerability and mystery in the collection of photographs. The face of the person is the way we read and confirm the reality of them but by not seeing the face creates a mood of separation linking to my ideas of being lost and addressing the unknown of your surroundings. Also, feet and hands are at the very end of our limbs, the furthest body parts away from our hearts, most distant from the self and having these stand out being so white and so unprotected against the dark background of the ocean and black wetsuit evokes the same feeling of lost and obscurance of moment and place.

Under nothing but ocean

 

This beautiful video I’ve made is so simple yet captivating, the constant dynamic movement of the sea effectively leaves a person continuously lost when within its surrounding waters. Because of the oceans constant movement, the same particle is very unlikely to ever come in contact with your body again there for every moment is essentially a moment of lost because your surroundings are forever brand new and you would never have experienced them in the past and never will in the future.

In the video I swim far out to sea then tread water whilst spinning around raising the camera above the water level and below at random moments. As the weather changed and the sun began to set, the water change colour and streams of light lit up the surrounding water. Due to the poor quality of my underwater camera, these light beams became pixelated and unexpectedly beautiful. You can find these about 11 minutes in. The white gap you see appear above and below the water when facing the light ties nicely into my ideas about ‘spaces in between’. The harsh whiteness is like a void of nothing or glitch without explanation. It looks like a gateway that leads into the abyss of nothing.

Although this was difficult, I purposely swam far out in order to capture no other people or land in my footage. The shots of just the endless out to sea and nothingness of the perspective under the water are cooling and a bit frightening, the complete essence of lostness and being alone. You may find this peaceful or scary depending on your perspective and experiences but there is no doubt the video comes across beautifully eerie along with the slowed soundtrack which could sound like someone slowly drowning or a conversation stolen from cyberspace.

The visuals of the video are supporting my theories of the sea, they are obviously fluid and ever changing but because of the nature of the ocean, the first shot it literally directly connected to the end shot and every shot in between! Continuous brand new surroundings and pure fluidity.

Swimmers in Nothing

In this video, the water represents the space in between and the swimmers representing our experience within it. Within water, your body is experiencing new surroundings every single second; in the sea especially. The ocean is all connected and is constantly involved in fluid movement, therefore the particles in contact and around our bodies are always completely new, challenging the notion that in the sea you are always lost.

Reflection: Visually I wish I’d have held the camera much more still and maybe removed the sound from it. To improve this video and develop it I could arrange to shoot multiple shots at different angles all videoing the same swimmers but display say 4 shots all at once on loop, maybe on monitors in a cube shape so that all the monitor screens are facing inwards and the viewer would stand in the centre essentially being surrounded as well.

In between objects body sculpture

Another exploration of surrounding and location. These objects attached to me with wool were also picked up during my time in the lost in between. I challenge whether being surrounded by objects located from somewhere else could mean that you are back in the place that they were originally found. If they are attached to you, have you become part of their location – you are now one with the objects or are the objects still completely different pieces of matter? If they are attached to you then they are with you until you remove them there for arguing that the possible space in between that you are recreating, moves with you and isn’t just a circle to step in and out of.

I also recorded the incredible noise that was created from walking around with it all attached to me, I don’t know what I will do with the sound memo yet but it will be supporting ideas around comparison to the original more calm noise recorded during the time I picked all the objects up.

Reflection: what if all the objects in a space were attached to me and released of their potential sound and noise, could I argue that this is the true sound of your surroundings? – when everything is experienced to it’s full potential? What is the potential of collecting many objects all from a new moment or space (location) in between and bringing them all into a new space and exploiting them of their inner sounds to create a new sense of in between. This could even support popular current issues about equal rights and freedom of speech, or even how we need to listen to and consider our surrounding more as our natural environment is in need of extreme attention as soon as possible, as if the surrounding environment is crying out for help.

Notice my walking in circles. I strengthen the idea of being surrounded and within something, or a place or contained by something. The objects I found in the lost in between are surrounding me and attached to me, but in addition to this, I walk in circles and surround another place of land, space and time with the objects from before. How does this sit within my concept in terms of where this new place sits within time and space.