I feel like I’m not moving particularly quickly through my thoughts and ideas. I don’t feel like I’ve come very far from my original idea but maybe that’s just my perspective. Anyhow, I had a tutorial with artist Hew Locke this week and it was really useful because he reminded me to have fun with my work and not worry too much about it. He said I was in danger of it becoming too serious and not enjoyable which is fair to say as joy should be a factor of making as that’s when you get the best results? I don’t know, but it encouraged me to stop thinking and just make and enjoy and stop worrying so much about whether or not EVERYTHING is perfectly politically correct and communicating the right thing before I’ve even made it.
As of this, I have spent the remaining weeks playing and making as well as naturally starting to think about future ideas that will hopefully be implemented in the coming projects in second term. Ideas came naturally through making and play.
The image of the white sheet above is of some fabric that I dyed with rust. I used pieces of metal I found at the ‘corner place’ to dye the fabric using a simple technique involving salt and vinegar. Then I drew around some dough ladders onto the fabric. The photos to the right are of the ceramics and metal I found at the ‘corner place’ laid on top of the fabric. They are laid out neatly and spaced apart a bit like artifacts of the ‘corner place’.
Please click on images for description…
I tied all the dough ladders together using strips of canvas from the drawing I did on the floor at the ‘corner place’. It’s like a net of ladders now, giving the ladders a completely different function – they are now in a net that is used to catch things not reach or get over things. It is very delicate and quite heavy due to the ladders getting damp and dense. Now it is like a rhizome of interconnected ladders leading to one and other in every angle with no specific destiny.
The pieces of grease proof paper on the image above on the right are some of the ones I used to bake the dough ladders on, I love how the moisture has seeped into the paper and left stains and traces, they are so beautiful. An interesting way of image making and arguable drawing. The moisture traces of the bread…
Above I have draped the now net like ladders over the palimpsestual Jacob’s Ladder step cast as if they are falling down the step freely. A waterfall of dough ladders. The left arrangement of the step and ladders in the corner looks more interesting in a photo however the right arrangement look better in real life. The corner arrangement has more of a link to my work as it encompasses the idea of the ‘corner place’ that is next to Jacob’s Ladder as well.
I have also been taking recording of conversations I’ve been having with people when I directly ask them if they have any stories that involve staircases or ladders. It is interesting because every single story I have received is about people when they were a kid going down the staircase or ladder in some way; no stories have involved people going up and they are always recited with a kind of nostalgia. I heard, “yes but when I was a kid…” many times. An interesting observation about what comes to mind when people think of the ladder or staircase. I did these recordings in social moments when people have just eaten dinner together and are then just relaxing and chatting. Relaxed social moments when people are sitting around in a group sharing stories and ideas.
I have also made a short experimental film called Pigeon Colonization – The Ladder, The Corner. In the film I recite one of my poems over changing footage I took of the ‘corner place’. I make breaks in the video to link to each time I say “next line”. I say ‘next line’ after every line of the poem which was initially said as an accident when I was practising the reading. By saying next line before moving on to the actual next line of the poem I create a kind of repetitive bridge – a bit like a ladder, like a staircase of repeated words that rhythmically leads you through the story. You can find the written version of the poem in my sketchbook. I experimented a lot with the visuals because initially this poem was meant for a different film which I will explain later. I’m not sure if the poem is read in a fitting way for the film, the way I read it is quite matter of fact and I’m not sure If I like this. In the original film, I wanted to add text that would tell the poem and the reader would have to read to follow. I worry that a voice is too specific and holds too many associations to gender, class, country etc and I think it would be best for the reader to read the poem to themselves as if listening to their own words not mine. To change it, I’d keep how an image only appears when ‘next line’ is said but try out how this would work throughout the whole video.
Ideally I’d like to project the video onto the arrangement of the ladders some way. Using photoshop I have tried to imagine what the film if I did this. The video would be much more distorted than this in real life but I think I’d like the way the images would dance over the bodies of the ladders connecting the two together through layering.
The original video was a 16mm stock motion video shot on Jacob’s Ladder. It was of all the bread ladders slowly making their way down the path way that leads off Jacob’s Ladder; the path that runs across the back of the ‘corner place’. The video took hours of work and saw the ladders dance down the slope and into a pile. Then I shot some footage of people walking down the stairs at Jacob’s Ladder and finally took video of the ladders being thrown over the wall into the ‘corner place’ with the help of a friend. I haven’t got the film because I misplaced it over Christmas while doing some filming in Costa Rica and unfortunately left it there. It was found and is very kindly being posted but hasn’t arrived yet.