‘Live’ Performance 2

Simplified, refined version of the performance I previously did called ‘Live’ Performance. Advancing on ideas about the cyber, social media and digital world taking over our lives so much so that in reality it’s hard to say we are ‘living’ anymore. We are so involved with our online presence and increasingly so, for some, they are more involved with their online life than they are with their real one.

This time the character sits still, bolt up right and straight towards the camera and projector. You can sometimes see the whites of the characters eyes, watering, vulnerable and anxious, holding connotations with all emotional elements related to social media and technology. In ways, it’s as if the dark shape of the figure is the soul of the character and is having the ‘live’ video be projected into their heart, directly to manipulating their being and dissolving their reality in the dense network that runs through the wires in our houses and through the signals in the sky, beating the pulses of the modern ‘live’ world into their mind.

I think this is a good adaptation to my first performance but there is an uncomfortable, unease about the first performance that I really like and think adds to the notions it represents about our present and future social landscape and the way people feel and act within it. However, this second version displays the same ideas in a different way; here the character sits motionless and almost dead, behind the powerful rays of the ‘live’ video, really straining the contrast of the video with the actions of the character.

Live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, live, but NO Life.